“Paul is a visionary director with a deep appreciation for the post process, so it’s always exciting to see what he dreams up. “Because this was our fourth collaboration on the franchise, we dove in with a good sense of the look production wanted, and that familiarity made it all the more fun,” Nick said. He’s very technically minded and involved in the colour process every step of the way. Since ‘Afterlife’ had been shot in 3D, Glen was a natural choice. “DP Glen McPherson started on the franchise with ‘Afterlife’ and had collaborated with Paul on a number of films prior, including ‘Pompeii’ and ‘The Three Musketeers’, and was the DP and stereographer on ‘The Final Destination’. For ‘Retribution’, we were responsible for the mix and delivery as well, including IMAX, DCP and home entertainment versions. Like ‘The Final Chapter’, we also handled colour and DI for ‘Afterlife’. This allowed Paul to maximize his decisions in minimal time. We’re one of the few facilities in the world where you can do a full Dolby Atmos mix and 4K DI in rooms that are 20 feet down the hall from one another. We already understand the expectations for various deliverables, and so there’s a sense of comfort and trust. Senior vice president of post production Nick Iannelli at Deluxe Toronto said, “Since we have a long-term relationship with the director and the production, we’ve established a bit of short hand. We can also put a great level of trust and confidence in them.” Evil Familyĭeluxe worked on the second movie ‘Resident Evil: Apocalypse’, and then the fourth to the sixth - ‘Resident Evil: Afterlife’, ‘Resident Evil: Retribution’ and ‘Resident Evil: The Final Chapter’ - in various capacities. I could sit in on a mix review session and then walk 20 feet down the hall to give notes on the DI. “Their ability to handle nearly all of our post production out of one facility allowed me to use my time quite efficiently. “We’ve been working with Deluxe Toronto for years,” said Paul W.S. Deluxe also delivered a HDR remaster for the film’s home entertainment release. The Deluxe team handled the 4K 2D DI, 3D 2K DI, full 7.1 and 5.1 audio mixes for domestic and international versions, digital cinema mastering and nearly 300 visual effects shots. From the time its first film was released in 2002, 'Resident Evil' is noted as one of the few consistently successful game based movie franchises and, more than likely, it has also helped turn the zombie theme into a film genre. Anderson, and Deluxe itself had worked on three of the previous films in the series. The project pulled together many members of the original production team, including director Paul W.S. Deluxe Toronto Takes on 4K Post for Resident Evil’s Last Standĭeluxe Toronto took on most of the post-production services for the sixth and last movie in the sci-fi horror franchise, ‘Resident Evil: The Final Chapter’.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |